{"id":11230,"date":"2025-02-13T12:30:56","date_gmt":"2025-02-13T12:30:56","guid":{"rendered":"https:\/\/franzschubertfilh.com\/un-cant-a-lamistad\/"},"modified":"2025-03-23T19:17:49","modified_gmt":"2025-03-23T19:17:49","slug":"un-cant-a-lamistad","status":"publish","type":"post","link":"https:\/\/franzschubertfilh.com\/en\/un-cant-a-lamistad\/","title":{"rendered":"A song to friendship"},"content":{"rendered":"<p>Brahms spent many summers in Thun, a picturesque Swiss town surrounded by the Alps. The landscape and atmosphere offered the composer the perfect space to create and reflect. It was in this idyllic setting that, in 1887, Brahms composed his Double Concerto for violin, cello and orchestra, dedicating it to his old friend, the violinist Joseph Joachim.<\/p>\n<p>Their friendship had been strained for years by Joachim\u2019s separation from his wife, in which Brahms had stood by her. This discrepancy had created a painful distance between the two musicians.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-11222\" src=\"https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/7a70d8da-b8fd-43ff-890c-e79e030f7d38_source-aspect-ratio_default_0-2-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/7a70d8da-b8fd-43ff-890c-e79e030f7d38_source-aspect-ratio_default_0-2-1024x683.jpg 1024w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/7a70d8da-b8fd-43ff-890c-e79e030f7d38_source-aspect-ratio_default_0-2-300x200.jpg 300w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/7a70d8da-b8fd-43ff-890c-e79e030f7d38_source-aspect-ratio_default_0-2-768x512.jpg 768w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/7a70d8da-b8fd-43ff-890c-e79e030f7d38_source-aspect-ratio_default_0-2.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p>Brahms dedicated the concerto to Joachim, hoping to reestablish their relationship. Clara Schumann, a close friend of both, wrote: &#8220;This concerto is a work of reconciliation\u2014Joachim and Brahms have spoken again for the first time in many years.&#8221;<\/p>\n<p>On 18 October 1887, the Double Concerto was premiered in Cologne, with Joseph Joachim on violin and Robert Hausmann on cello, under the baton of Brahms himself. The Double Concerto featured a dialogue between violin and cello that, for those familiar with its history, was the sonic reflection of a rediscovered friendship, a song to true friendship.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-11225\" src=\"https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-1024x724.jpg\" alt=\"\" width=\"1024\" height=\"724\" srcset=\"https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-1024x724.jpg 1024w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-300x212.jpg 300w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-768x543.jpg 768w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-1536x1086.jpg 1536w, https:\/\/franzschubertfilh.com\/wp-content\/uploads\/2025\/02\/sin_ttulo-2-2048x1448.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><strong>REPERTOIRE\u00c7<br \/>\n<\/strong>J. Brahms: <em>Double Concerto for Violin, Cello and Orchestra, Op. 102\u00e7<br \/>\n<\/em>F. Mendelssohn: <em>Symphony No. 3, Op. 56 \u2018Scottish\u2019<\/em><\/p>\n<p><strong>PERFORMERS<br \/>\n<\/strong>Daishin Kashimoto, violin<br \/>\nAlexander Chaushian, cello<br \/>\nFranz Schubert Filharmonia<br \/>\nTom\u00e0s Grau, conductor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brahms spent many summers in Thun, a picturesque Swiss town surrounded by the Alps. The landscape and atmosphere offered the composer the perfect space to create and reflect. It was in this idyllic setting that, in 1887, Brahms composed his Double Concerto for violin, cello and orchestra, dedicating it to his old friend, the violinist [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[583],"tags":[],"categoria-noticies":[677],"class_list":["post-11230","post","type-post","status-publish","format-standard","hentry","category-brahms-double-concerto","categoria-noticies-news"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A song to friendship - Franz Schubert Filharmonia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/franzschubertfilh.com\/en\/un-cant-a-lamistad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A song to friendship - Franz Schubert Filharmonia\" \/>\n<meta property=\"og:description\" content=\"Brahms spent many summers in Thun, a picturesque Swiss town surrounded by the Alps. The landscape and atmosphere offered the composer the perfect space to create and reflect. 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