March 2024
Repertoire
L. van Beethoven: Egmont Overture, Op. 84
W. A. Mozart: Concerto for flute, harp and orchestra, KV 299
L. van Beethoven: Symphony No. 7, Op. 92
Performers
Stathis Karapanos, flute
José Antonio Domené, harp
Franz Schubert Filharmonia
Christoph Eschenbach, conductor
Programme notes
Maestro Christoph Eschenbach
Christoph Eschenbach is one of the world’s most renowned conductors. He was mentored by Herbert von Karajan in the early stages of his career and, over the decades, has held a series of prestigious posts with leading orchestras worldwide and conducted many more besides.
Eschenbach will take the helm of the Franz Schubert Filharmonia for the first time in works by two of his very favourite composers: Mozart and Beethoven. This promises to be a very special occasion, offering the opportunity to enjoy the consummate artistry of a conductor steeped in the Germanic tradition.
Biography Christoph Eschenbach
Christoph Eschenbach is a phenomenon amongst the top league of international conductors. Universally acclaimed as both a conductor and pianist, he belongs firmly to the German intellectual line of tradition, yet he combines this with a rare emotional intensity, producing performances revered by concert-goers worldwide. Renowned for the breadth of his repertoire and the depth of his interpretations, he has held directorships with many leading orchestras and gained the highest musical honours.
Christoph Eschenbach (born February 20, 1940 in Wroclaw) was a war orphan, raised in Schleswig-Holstein and Aachen by his mother’s cousin, the pianist Wallydore Eschenbach. Her lessons laid the foundation of his illustrious musical career. Following his studies with Eliza Hansen (piano) and Wilhelm Brückner-Rüggeberg (conducting), he won notable piano awards – such as the ARD Competition Munich 1962 and the Concours Clara Haskil 1965 – that helped to pave the way for his growing international fame.
Supported by mentors such as George Szell and Herbert von Karajan, the focus of Christoph Eschenbach’s career increasingly moved to conducting: He was Principal Conductor and Artistic Director of the Tonhalle Orchestra, Zurich from 1982 to 1986, Musical Director of Houston Symphony from 1988 to 1999, Artistic Director of the Schleswig-Holstein Music Festival from 1999 to 2002, Musical Director of the NDR Symphony Orchestra from 1998 to 2004, the Philadelphia Orchestra from 2003 to 2008 and the Orchestre de Paris from 2000 to 2010. From 2010 to 2017, Eschenbach held the position of Musical Director of the Washington National Symphony Orchestra. Alongside his prestigious appointments, Eschenbach has always attached great importance to his extensive activities as a guest conductor, working with orchestras such as the Vienna and Berlin Philharmonic Orchestras, the Chicago Symphony Orchestra, the Staatskapelle Dresden, the New York Philharmonic, Scala Milano, the London Philharmonic Orchestra, as well as the NHK Symphony Orchestra, Tokyo.
Over the course of five decades, Christoph Eschenbach has built an impressive discography, both as a conductor and a pianist, with a repertoire ranging from J.S. Bach to contemporary music. Many of his recordings have gained benchmark status and have received numerous awards, including the German Record Critics’ Prize, the MIDEM Classical Award and a Grammy Award. For many years, Eschenbach’s preferred Lied partner has been the baritone Matthias Goerne. In recordings and in live performances, e.g. at the Salzburg Festival, the two perfectly matched artists have explored the rich treasures of the German Romantic period, from Schubert to Brahms.
Christoph Eschenbach has been awarded the Chevalier de la Légion d’Honneur, and is a Commandeur des Arts et des Lettres; he is a holder of the German Federal Cross of Merit and a winner of the Leonard Bernstein Award.